ALBERTO RUGGIERI
/
Menu
← Home · Editorial Collaborations← Selected projectsCorriere Salute
Editorial Collaboration · Weekly Covers

Corriere
Salute

The Sunday health section of Corriere della Sera: every week a topic in medicine, prevention, psychology or public health becomes a cover image.

300+ published covers 1,000+ visual concepts Frequency · weekly
Human figure with hourglasses on different parts of the body
Do you know your “ageotype”? There are four of them — for now — depending on which “part” of us ages first. Knowing your own type can help you take more targeted action to slow the process, bringing the rest of the body along with it.
The assignment

Making health visible without resorting to clinical imagery.

The illustrations are almost always developed from the cover headline and subheadline. From those few lines, I look for an image that can make a specific scientific topic immediately understandable, without reducing it to a diagram, an explanatory anatomical illustration or stock imagery. The visual language I developed for Corriere Salute uses the body, narrative action and conceptual metaphor. The image must work on its own, while being conceived from the outset to work alongside the masthead, headline and journalistic structure of the page.
Selected illustrations

The headline stays beside the image.

Published context

The image is conceived for the cover.

The editorial design is not a later addition: headline, subheadline and illustration are read together. That is why the published layouts are part of the way the project is presented.

“Sai qual è il tuo invecchiotipo?” — published cover
Do you know your “ageotype”? · published cover
“Batteri resistenti” — published cover
Antibiotic-resistant bacteria · published cover
300+published covers
1,000+visual concepts developed
2–3+directions for each issue
Weeklyeditorial rhythm
The editorial process

Not one idea, but a choice among several valid solutions.

For each issue I generally develop two, three or more alternative visual directions and present them to the editor. The selected solution is then developed into the published cover.

The thousand-plus proposals are not rejected sketches: they are different interpretations of the same subject, conceived to offer a genuine choice. Each week, my task is to find the most effective balance between scientific accuracy, editorial immediacy and visual impact.

01Headline and subheadline

I identify the scientific and editorial core.

02Alternative directions

I develop several concepts for discussion with the editor.

03Final cover

I take the selected solution through to publication.

Working sketches · alternative directions

The same subject can lead in very different directions.

These are working sketches: quick decision-making tools, not finished artworks. They are used to put different, comparable ideas on the table before choosing which direction to develop.

I show only three examples here. The selected direction is then developed, redrawn and taken through to the published image.

01

Healthy boredom

Three readings of the same theme, from a narrative scene to a more abstract synthesis.

Alternative sketch for “Sana noia”
sketch · alternative direction
Alternative sketch for “Sana noia”
sketch · alternative direction
Selected sketch for “Sana noia”
sketch · selected direction
02

The unconscious

Two independent concepts: entering an inner territory, or lifting what the mind keeps hidden.

Selected sketch for “Inconscio”
sketch · selected direction
Alternative sketch for “Inconscio”
sketch · alternative direction
03

Waiting lists

Two metaphors for the same obstacle: time accumulating inside an hourglass; or access to care turned into the eye of a needle. The Rod of Asclepius becomes the needle and the queue has to pass through it, echoing the Gospel image of the camel and the eye of a needle.

Selected sketch for “Liste d’attesa”
sketch · selected direction
Alternative sketch for “Liste d’attesa”
sketch · alternative direction
A weekly series must remain coherent without becoming predictable.

More than 300 published covers and over 1,000 visual directions reflect an ongoing body of work based not on repeating a formula, but on renewing the relationship between scientific content, journalistic synthesis and image every week.